Every @robdelaney mention of @BarackObama so far in 2011.
Individually delightful, collectively genius.
love this pic
And here is a time traveler caught on camera. Ashley Panzera, how did you manage to capture this?
Splendour In The Grass 2011
I love George Gershwin and while he’s not my favourite pianist of all time (sup Brubeck), his style of playing is so appealing to me. This clip is just so rock’n’roll; it kind of reminds me of the way my grandma used to play (though she was nowhere near as aggressive).
Gershwin’s solo piano rendition of Rhapsody In Blue is in my top ten songs of all time. I can’t find it online though, might have to rip it when I get home. For now, enjoy this very short clip of the master blazing through I Got Rhythm.

I’m at that stage where I can feel myself slowly becoming obsessed with an album and it’s this brand new one from Sydney’s The Aerial Maps.
The band first came to my attention a couple of years ago when they released their debut LP In The Blinding Sunlight, which I remember loving but after a couple of weeks when whoever it was in the office had a copy stopped bringing it in I kind of just forgot about them.
Which is what makes The Sunset Park even more exciting for me. It’s like reuniting with an old acquaintance I really got along with, who in turn introduces me to someone who is equally as friendly, but far better looking. That has never happened to me, but I imagine that is what it would feel like.
This record absolutely must be listened to from start-to-finish. The narrative that links all the songs together is one a fucking ripper. The words lyricist Adam Gibson uses are just brilliant; ocassionally too sentimental, but always at just the right time. Besides, don’t we all get too sentimental a lot of the time? Before we go on any further; yes, it’s predominantly “spoken word”. But do not let that put you off.
It’s the inherent Australiana that appeals so much to me, it sounds like the most fucking beautiful VB ad you’ve ever seen (I mean that to be a compliment) and while the broadness of Gibson’s Aussie accent and general ockerism will undoubtedly put many people off, I can’t get enough. His descriptions of Gold Coast living are sun-battered, stark, depressing yet 100 percent relatable (as someone who’s spent more than his fair share of time down in those parts). I don’t know Freo nearly as well, but the vibe is certainly there.
Musically the record is equally triumphant; Simon Holmes’ production and both his and Sean Kennedy’s (and myriad others) playing really bring these stories to life. I don’t actually like all of the music on here, but I can’t find anything that isn’t completely suitable for the content Gibson puts across.
As a whole, the title track is probably your best bet if you’re lazy and can’t do the whole thing in one hit. Though I recommend you make the time.
If you’ve got a spare eight-and-a-half-minutes then The Things That Make You Happy is a pretty awesomely depressing diatribe and if you’ve got another then Beer Glorious Beer is an equally annoying and thrilling tale of revenge which sees Gibson’s lyrics at their peak, as he recalls the legendary beer truck in the Tweed River and ties it into his narrative.
I also very strongly recommend this B-Side from their The Sunset Park single. Lighthouse Beach.
I can’t wait to listen to this record again every time it finishes, but I don’t want to listen to it too much because, like a good book, I never want the story to end. I’m really enjoying picking up little pieces of the story here and there. I can’t wait to listen to it when I’m in the middle of one of those useless fucking metaphysical hangovers where I feel there’s no point to life - I get the feeling this record will fucking destroy me.
Click the link above the cover pic to listen. Buy it if you like it.

To celebrate my return to blogging (it won’t last) I thought I would post an excellent album from last year.
Knights of the New Crusade are a ‘Christian’ garage rock band from San Francisco. They teeter that awesome line between hilarious and ridiculous and the only way they can really get away with their bizarre schtick is through genuinely writing awesome tunes.
If you’re lazy and only want to listen to one song; I’d recommend track one, He Stands and Knocks At The Door.
Click the name above the pic to stream it in full. If you like it, buy it.
The second show I went to see in 2011 was Future of the Left supported by Further. Both bands ruled. Here is Without MSG I Am Nothing, an old mclusky song that FotL played (one of four!).
The first show I went to see this year was Built To Spill supported by Nova Scotia. Both bands ruled. Here’s Big Dipper, my second favourite Built To Spill song (they didn’t play my favourite).
I listen to this cover at least five times per day. I recommend you do the same.
This is my favourite video in the history of the internet and it is the only logical place for me to begin a life of tumblr. Watch the video, then watch it again, then watch it again. Then, fast forward it to the part just before he drops and just watch the fall a few times. It seems sadistic, hell it probably is, but the dude didn’t get hurt so cry me a fuckin’ river.
